A Sustainable Reinterpretation of Eastern Architecture
The Traditional Bazaar (Timcheh-e Haj Ali Akbar) is not merely a retail space—it is a revitalization project embedded in a contemporary architectural context. Drawing upon the spatial logic of historic Eastern bazaars, the project redefines core concepts such as movement, convergence, interaction, and sense of place through a renewed architectural structure, creating a living and experiential environment.
Spatial Organization and the Concept of Chaharsoo
The layout is based on the traditional bazaar scheme of two perpendicular axes intersecting at a central node, known as Chaharsoo. This intersection serves as a spatial and visual anchor, facilitating continuity in circulation while offering a place for gathering and pause. The resulting structure respects historical patterns while allowing for modern adaptability and functional relevance.
Sustainable Materials and Responsible Architecture
A key aspect of the project lies in its commitment to sustainability and responsible material sourcing. Throughout both design and construction, materials were selected based on life-cycle efficiency, energy performance, recyclability, and environmental impact. Notable strategies include:
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Use of high-durability treated natural wood in portals, latticework, and interior finishes
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Application of handcrafted low-energy ceramic tiles using traditional methods
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Installation of natural stone panels using dry-mount systems, minimizing adhesives and maximizing longevity
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Energy-efficient lighting using low-consumption luminaires and extensive reliance on natural daylight
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Preservation of passive ventilation systems via open geometry, Chaharsoo-centered airflow, and controlled entry points
Ornamentation Grammar and Spatial Language
Over 2,100 square meters of detailed volumetric and surface ornamentation articulate the structure—featuring:
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Muqarnas, Yazdi-bandi, Tang-bori, and handcrafted stringcourses (qatar-bandi)
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Surface motifs inspired by arabesques, shamseh patterns, medallions, and geometric abstraction
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Execution by traditional master artisans, fused with modern precision techniques
These decorative elements do more than beautify; they form an integral spatial language that conveys structural hierarchy, cultural narrative, and atmosphere.
Programmatic Integration and Narrative Structure
The bazaar incorporates a collection of specialized sarays (pavilions) focused on high-value goods and crafts: hand-woven carpets, traditional garments, antiques, applied arts, and artisanal products. The spatial programming is unified, coherent, and reflective of a cultural shopping experience.
Key signature spaces include:
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The Hall of Mirrors, featuring over 40,000 hand-cut mirror fragments arranged in a luminous, geometric ceiling
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The Traditional Sharbat House, adorned with colorful hand-glazed tilework in tones of turquoise, amber, white, and saffron
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Wooden and stained-glass latticework reconstructed based on traditional orosi (window) design
Central Hall – The Spatial Apex of Light, Geometry, and Balance
At the heart of the bazaar lies the Central Hall, crowned with a muqarnas dome and organized around a radial axis. The ceiling’s layered plasterwork, Yazdi-bandi detailing, and gilded floral motifs evoke a majestic spatial experience.
A geometrically carved stone fountain anchors the center of the hall, visually and functionally. The reflection of cascading chandeliers on the polished marble floor enhances the spatial layering and introduces a poetic sense of fluidity.
The Central Hall fulfills multiple roles:
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Acts as a node of movement, convergence, and repose
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Accommodates ceremonial or curated exhibitions
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Channels light, focus, and spatial energy to the surrounding programs
In this project, the Traditional Bazaar is not a mere reconstruction of the past—it is an architectural response to contemporary cultural, ecological, and spatial challenges. Here, sustainable materials, traditional design logic, and symbolic spatial grammar come together to create an experience that is timeless, thoughtful, and future-facing—a space rooted in heritage, but conceived for continuity.
